English designer Jasper Morrison, born in London, started his carrier in 1980s, and since then he has been designing products and furniture for many famous manufacturers of furniture, lighting, electronics, shoes, wristwatches. Rowenta, Samsung, Punkt, Camper, Muji, Vitra and Tate Modern are just some of his clients. In 2001 he has become Royal designer for Industry in UK.
It shouldn’t surprise us that Morrison’s design philosophy incorporating idea of Bauhaus movement. While he was attending postgraduate studies at Royal College of Art in London, he spent a year at Berlin’s Collage of Art. The main principles of Bauhaus school of design are to keep the creativity in the manufacturing process and to maintain the functionality of the object. T1, 2016; Produced by Maruni, Japan; Photo: Maruni
Inspired by the simplicity of hand-blown wine glasses from junk shops, Jasper Morrison defined what design should be – “Super Normal” or the “artificial replacement for normal”. By this he meant that there is no need for attention attracting designs by vibrant colors, shapes or superfluous details. Rise, 2014; Produced by Vitra, Switzerland; Photo: Miro Zagnoli
Precisely observing the object Morrison develops its form subordinated to the functionality. Main aim of his designed objects is to make pleasant atmosphere of everyday modern life. His rounded and smooth forms mostly made in wood, glass, stone and stainless steel are appealing to a viewer. To ignorance of fundamental goal of designing an object to be useful he gave a therm “Uselessnism”.
Since 2015, his first retrospective exhibition “Jasper Morrison. Thingness” of his 35 years lasting carrier has been shown at Grand-Hornu in Belgium, Museum für Gestaltung in Zurich and Tate Modern in London, and currently is on view at the Bauhaus Archive in Berlin.