Our vivid, contemporary reality constantly offers new visual materials with unexpected concepts. Modern audience seems to be prepared for all kinds of artistic encounters. But still the multilayered approach and skillful representation of the work of the mysterious group that operates under the title AUJIK is a jolt of fresh air. Their mesmerizing video works are pieces of art which balance between science fiction, architecture, biology and spirituality. It is rather hard to classify, so the best thing is to see it with your own eyes.
The video “Spatial Bodies” is accompanied by soft enigmatic music and definitely gives a “megalopolis” vibe. When we think of modern urban craziness and sky-high buildings, inevitably Japan comes in mind. Indeed, this short film is based on an actual Osaka skyline, which is merged in weird bionic structures resembling an autonomic organism with its own rules of existence. Moreover, the main person behind AUJIK, a Swedish-born filmmaker and digital artist, now lives in Kyoto, Japan. The group claims to have several more active participants, who descends from Japanese monks who “strive to reach a higher consciousness by transcending with technology and nature using themselves as a catalyst between these elements.” Clearly, AUJIK is building a kind of hodiernal myth that would incorporate their unique technocratic/naturalistic philosophy and express their ideas with a pinch of esoteric aftertaste. They have divided nature into refined and primitive; where the first consists of robotics, artificial intelligence, nanotechnology, DNA-manipulation, augmented reality, body enhancements, carbon nanotubes, synthetic photosynthesis; and the second combines trees, plants, soil, organism, stones, metals, minerals, foliage. AUJIK views all inventions and technologies as nature that has evolved; in fact they perceive AI as the next step in human evolution. By interlacing refined and primitive types of nature, they are basically trying to reconcile our pagan origins with technocratic and scientific progress. Unifying these polar opposites, they are hoping for a balanced harmonious reality that would benefit all.
These multi-media works reflect possible futuristic mythology of our progressive society, literally and figuratively. It poises between outer visual representation and self-expression mixed with contemplation.
This video titled “Yuki” shows us weirdly dressed kids playing with robotic trees; artwork reflects upon the interaction between organic and artificial, questioning the authority of each party. In “Plasticity Unfolding: wiggling word” we observe the collective consciousness of 4 AI’s, that imagined themselves in a landscape with a river as a nervous system; each AI has its own task and field working together efficiently. The work gives us an emotional map of artificial minds with a great deal of surrealism and biological references.
“The Ishiyama Excursion” shows us a green forest filled with all kinds of nature, robotic nature. Creatures seem to be perfectly fit for the environment and resemble regular forest dwellers. This piece, again, refers to the joint worlds of refined and primitive nature.
AUJIK concept, esoteric and technocratic all together, is an intriguing one; we can surely note an influence of the Japanese culture. Interest towards robots and machinery, combined with human-line qualities and even AI, unites with longtime traditions of nature veneration and its acknowledgement as an essential part of human life, spiritual as well as physical. While their video works are perplexing and unconventional, AUJIK’s theoretical basis dazzles even more. Who knows how accurate their concepts are – the only way to find it out is to see whether AUJIK ideas stand the test of time. We might be the lucky witnesses of new unique art and life philosophy being born.